We reviewed in class the below overview plan, which Miles Gray and continued to develop. See the production package here

Bring and shoot four Cameras + 3 tripods, various camera and audio accessories (gear list TBD)
Slates for each individual camera
Hold Slate like MOS slate, but circle Sync
Common Synch (only one clap for all cameras) with slate board or ask Orchestra conductor or members to clap
Once you begin recording, do not break recording, even while reframing and refocusing, unless Miles signals you to do so. This will enable ease of synching and editing.

Camera Organization

Camera A – Master Wide – set camera to 4K recording and use interior mic for reference audio

Camera B – stage left – set up shotgun mic and record HD 1080p

Camera C – stage right – set up shotgun mic and record HD 1080p

(On Audio settings on body of camera, set to exterior mic; and )

Camera D – monopod – interior mic and 1080p

Note: Set all cameras to relay recording (see image below)

Screen Shot 2023-02-27 at 10.14.53 AM.png

Zoom Recorder -- place a recorder at front stage or orchestra center

Other sound notes (to follow up with client)

Post Production

Once the shoot has been completed, a Post Production supervisor should be assigned to ingest the

Folder Structure

Master Folder - UCBSO_20230302_Rehearsal

Subfolder: Media

Z150A

*A001

*A002

………

Z150B

*B001

*B002

………

Z150C

*C001

*C002

………

Z150D

*D001

*D002

………

*You won’t need this if you don’t end up switching out the memory cards.

Subfolder: Sound

Master (Zoom)